A clamor from the depths. Plague of Angels weaves with “BLACK REQUIEM” a sonic tapestry where inner chaos transforms into symphony. This is not just a song, but a black mass for the mind, a soul’s cry unfolding between despair and rebirth. Every note seems to tell the invisible struggle we face within ourselves, between haunting beauty and redemptive darkness. Musically, “BLACK REQUIEM” propels the band into their signature fusion of epic grandeur and extreme metal intensity. From fragile piano passages and sweeping strings to an explosive chorus and searing guitar solo, the song embodies the collision of vulnerability and rage, echoing the struggle at the heart of its lyrics.
“BLACK REQUIEM” marks the first appearance of new vocalist Emilie Nox, whose dynamic range moves seamlessly from ethereal melody to visceral death growls, as well as new bassist and pianist Caroline Campbell, whose expressive piano work and thunderous bass lines expand the band’s already immersive sound. “BLACK REQUIEM captures the sound of internal chaos, the private struggle that no one else can see,” the band explains. “The imagery of Emilie performing from within a perspex coffin reflects that sense of being buried by your own mind yet still finding the strength to sing through it. From Caroline’s haunting piano that opens the track to the blistering guitar solo, every element serves the story of emotional confinement and release. We wanted to create something beautiful within the darkness, turning pain into art and noise into meaning.” The accompanying video is a dark, cinematic exploration of isolation and inner turmoil, featuring Emilie Nox entombed within a perspex coffin, a visceral metaphor for mental confinement and the will to break free. Slash Music presents what promises to be one of the year’s defining tracks.
Listen on Spotify : https://open.spotify.com/track/26EziBnBFMzqutf9Slfn3t?si=a20c1b419cce4a8b
Pioneers of Organic Metal
Born from the collaboration of English and French artists, Plague of Angels defines themselves by audacity: a Dark Alternative Metal that doesn’t just strike, but captivates. With Emilie Nox on vocals, Mark Mynett (Kill II This) on guitar, Richard Shaw (formerly Cradle of Filth) on guitar as a writing member, Caroline Campbell (formerly Cradle of Filth) on bass and piano, Oz Wright (Pythia) on guitar, and Jeff Singer (Kill II This, Paradise Lost, My Dying Bride) on drums, the band stands out with compositions blending oriental, electronic, and classical influences, all wrapped in a mystical aura.
Plague of Angels first turned heads with their debut single “What Lies Beneath“, becoming the first metal band ever to perform on BBC’s The One Show. Their breathtaking live performance inside a church, complete with pipe organ accompaniment, earned critical acclaim from The Guardian and The Daily Telegraph, solidifying their reputation as pioneers of “Organic Metal,” blending classical grandeur with contemporary heaviness. Their follow-up singles “Beyond Salvation“ and “Lazarene” deepened that vision, showcasing a remarkable range of musical and emotional dynamics.
Earlier this year, the band made history with a sold-out performance at York Minster, one of Europe’s most iconic cathedrals. The monumental show saw their sound rise through the vast gothic arches of the cathedral, merging the sacred and the extreme in a spellbinding display of light, sound, and emotion. The event drew widespread national media attention, with coverage across BBC Look North, ITV News, and BBC Radio 1, 2, 3, 4, and 6. The concept of Organic Metal was born from guitarist Mark Mynett’s collaboration with Leeds Cathedral organist David Pipe, an experiment that bridged the sacred and the extreme. Signed with Blood Blast Records, the collective is now establishing itself as a major force in the European metal revival.
Forthcoming live dates:
Organic Metal: Two Worlds Collide
- December 5, 2025 – Huddersfield Town Hall (supported by Aaron Stainthorpe from HighParasite/ex-My Dying Bride and Mark Deeks from Arð/Winterfylleth) [Ticket here]
- May 23, 2026 – Hull City Hall [Ticket here]
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